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Biobibliographie sélective
L'astérisque (*) signifie qu'une publication accompagnait l'événement.
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Expositions particulières |
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| 2005 |
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Germaine Koh: Shell, Catriona Jeffries Gallery, Vancouver (C.-B.).
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| 2004 |
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Stall, Para/Site Art Space, Sheung Wan, Hong Kong. *
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| 2003 |
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Field Work, The Western Front, Vancouver (C.-B.).
Homemaking, Artspace, Sydney, Australie.
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| 2002 |
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Germaine Koh: Open Hours, McMaster Museum of Art, Hamilton (Ont.). *
Knitwork, The British Museum, Londres, Angleterre.
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| 2001 |
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Germaine Koh, Contemporary Art Gallery, Vancouver (C.-B.). *
Germaine Koh: Around About, Plug In Institute of Contemporary Art; Gallery One One One, Winnipeg (Man.).
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| 1999 |
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En busca del nivel del lago, Ex Teresa Arte Actual, Mexico, Mexique.
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| 1998 |
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Notices, YYZ, Toronto (Ont.).
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| 1997 |
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Germaine Koh: Personal, Agnes Etherington Art Centre, Queen's University, Kingston (Ont.). *
Knitwork, Southern Alberta Art Gallery, Lethbridge (Alb.).
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Expositions collectives |
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| 2004 |
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Entre ciel et terre : 1e Biennale nationale de sculpture contemporaine, Trois-Rivières (QC).
Liverpool Biennial, Liverpool, Angleterre. *
Sobey Art Award 2004, Art Gallery of Nova Scotia, Halifax (N.-É). *
Sense, Edmonton Art Gallery, Edmonton (Alb.).
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| 2003 |
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MosiaCanada: Sign & Sound, Seoul Museum of Art, Séoul, Corée du Sud. *
Nation, Frankfurter Kunstverein, Francfort-sur-le-Main, Allemagne.
Our Mutual Friend, Bloomberg Space, Londres, Angleterre.
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| 2002 |
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In through the out door, The Power Plant, Toronto (Ont.) [itinéraire : Bellevue Art Museum, Seattle, Wash., 2003]. *
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| 2000 |
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Tout le temps/Every Time : La Biennale de Montréal 2000, CIAC, Montréal (QC). *
Waste Management, Art Gallery of Ontario, Toronto (Ont.). *
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| 1999 |
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In All the Wrong Places = Dans des lieux incongrus, The Ottawa Art Gallery, Ottawa (Ont.).
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| 1998 |
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Every Day: 11th Biennale of Sydney, Sydney, Australie. *
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Repères bibliographiques |
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| 2005 |
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Goldsmith, Meredith. — «San Francisco». — Art Papers (Atlanta). — Vol. 29, no. 2 (Mar./Apr. 2005). — Sous : «Reviews : West coast» . — P. 59
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| 2004 |
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Barnard, Elissa. — «Making the mundane remarkable : Koh's piece Knitwork stitched out of unravelled garments «. — The Chronicle Herald. — (Sept. 29, 2004). — P. D-8
Hellman, Michel. — «Galerie d'art de l'Université Bishop's». — Le Devoir (Montréal). — (14 févr. 2004). — Sous : «L'inclassable Ulysse Comtois». — P. E-6
Leduc, Marie. — «Germaine Koh : PARA/SITE Art Space, Hong Kong». — Canadian Art. — Vol. 21, no. 4 (Winter 2004). — Sous : «Canadian art international». — P. 75-76
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| 2003 |
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«Germaine Koh». — Front magazine. — Vol. 14, no. 3 (May/June 2003). — Sous : «Front media & exhibitions». — P. 33
Laurence, Robin. — «Koh invites us to explore electronics». — The Georgia Straight. — (June 12-19, 2003). — P. 64
Loubier, Patrice. — «De l'anonymat contemporain, entre banalité et forme réticulaire». — Parachute. — N° 109 (janv./févr./mars 2003). — Numéro thématique : «L'anonymat». — P. 61-71
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| 2002 |
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Eyland, Cliff. — «Germaine Koh». — Border Crossings. — Vol. 21, no. 1 (Feb. 2002). — P. 81-83
Laurence, Robin. — «Meaning blows in on wind». — The Georgia Straight. — (May 9-16, 2002). — P. 56
Haggo, Regina. — «Knitwit's exhibition is truly off the wall». — The Hamilton Spectator. — (Sept. 28, 2002). — P. M-07
Mayer, Marc; Brayshaw, Christopher et al. — «Fresh eyes : Canada's young visual artists are making a global impression». — Time. — (Oct. 14, 2002). — P. 58-65
Miller, Barbara L. — «Vancouver». — Art Papers. — Vol. 26, no. 2 (Mar./Apr. 2002). — Sous : «Reviews : International». — P. 57
Wenzowski, Allyson. — «It's open hours with Canadian artist at McMaster Museum». — Dundas Star News. — (Oct. 2, 2002). — P. 14
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| 2001 |
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Dahle, Sigrid. — «Artist goes around, about to get materials». — The Winnipeg Free Press. — (Dec. 8, 2001). — P. C-5
Laurence, Robin. — «Work and words go up in smoke». — The Globe and Mail. — (May 19, 2001). — P. R-8
Loubier, Patrice. — «Énigmes, offrandes, virus : formes furtives dans quelques pratiques actuelles». — Parachute. — N° 101 (janv./févr./mars 2001). — Numéro thématique : «L'idée de communauté». — P. 99-105
Richardson, Joan. — «Life at the new Contemporary Art Gallery : Germaine Koh & Ken Lum» — Vie des arts. — Vol. 45, n° 183 (été 2001). — Sous : «English reports». — P. 78
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| 2000 |
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Osborne, Catherine. — «Smoke and buttons : Germaine Koh makes art that's easy to overlook even when you are very close to it». — The Canadian Forum. — (Mar. 2000). — P. 29-31
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| 1999 |
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Holubizky, Ihor. — «Germaine Koh». — Canadian Art. — Vol. 16, no. 1 (Spring/March 1999). — Sous : «Spotlight». — P. 34-38
Loubier, Patrice. — «Pour une sculpture qui disparaît = For a disappearing sculpture». — Espace. — N° 50 (Hiver 1999-2000). — P. 6-11
Nemiroff, Diane. — «Diane Nemiroff picks Germaine Koh : 'The crucial issue is one of communication'». — The Globe and Mail. — (Nov. 6, 1999). — P. F-10
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| 1998 |
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Holubizky, Ihor. — «Sydney Biennale». — Canadian Art. — Vol. 15, no. 4 (Winter/Dec. 1998). — Sous : «Rewind». — P. 82-84
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