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Interview: http://cybermuse.gallery.ca/cybermuse /showcases/meet/artist_f.jsp?artistid=2533
Some Works:
http://www.mocca.toronto.on.ca/recent/houle.html
http://www.ciac.ca/biennale2000/en/visuels-artistes-houle.htm
Selected Biobibliography
Asterisks (*) mark major publications
Exhibitions
| Solo Exhibitions |
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| 2001 |
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Robert Houle: Palisade, MacKenzie Art Gallery, Regina (Sask.), Canada, 15 juin-7 août 2001.
| | | 2000 | | Robert Houle's Palisade, Carleton University Art Gallery, Ottawa (Ont.), Canada, 13 nov. 2000-28 janv. 2001.
Robert Houle: Zero Hour, Agnes Etherington Art Centre, Kingston (Ont.), Canada, 21 oct. 2000-18 mars 2001.
| | | 1999 | | [Palisade], AKA Gallery, Saskatoon (Sask.), Canada, [sept.?] 1999. — "The exhibition also includes a billboard on Idywyld Drive between 23rd and 22nd Streets".
Robert Houle: New Parfleches, Pari Nadimi Gallery, Toronto (Ont.), Canada, 7-30 oct. 1999.
Robert Houle: Sovereignty over Subjectivity, Winnipeg Art Gallery, Winipeg (Man.), Canada, 11 avril-5 sept. 1999 [itinéraire : Museum of Contemporary Canadian Art, Toronto (Ont.), Canada ; Mendel Art Gallery, Saskatoon (Sask.), Canada]. *
| | | 1998 | | 360, The CN Tower, Toronto (Ont.), Canada, 1998.
| | | 1996 | | Robert Houle: Pontiac's Conspirary, Garnet Press Gallery, Toronto (Ont.), Canada, 21 juin-20 juill. 1996.
| | | 1993 | | Anishnabe Walter Court, Art Gallery of Ontario/Musée des beaux-arts de l'Ontario, Toronto (Ont.), Canada, 28 avril-[?] oct. 1993. — Intervention dans la Anishnabe Walker Court.
Kanata Robert Houle's Histories, Carleton University Art Gallery, Ottawa (Ont.), Canada, 3 janv.-11 avril 1993. *
| | | 1992 | | YYZ, Toronto (Ont.), Canada, 1992 — Exposition mise en circulation par Articule, Montréal.
Hochelaga, Articule, Montréal (QC), Canada, 9 mai-7 juin 1992 [itinéraire : The New Gallery, Calgary (Alb.), Canada, 13 juin-3 juill. 1993]. *
| | | 1991 | | Hood College, Frederick, Md., États-Unis, 1991. *
| | | 1990 | | ["Parfleches for the Last Supper"], Winnipeg Art Gallery, Winnipeg (Man.), Canada, 1990.
Robert Houle: Indians from A to Z, Winnipeg Art Gallery, Winnipeg (Man.), Canada, 11 févr.-6 mai 1990 [itinéraire : Thunder Bay Art Gallery, Thunder Bay (Ont.), Canada, 20 juill.-2 sept. 1990 ; Whyte Museum of the Canadian Rockies, Banff (Alb.), Canada, 8 janv.-17 févr. 1991 ; Mackenzie Art Gallery, Regina (Sask.), Canada, 8 mars-5 mai 1991 ; Glenbow Museum, Calgary (Alb.), Canada, 6 juill.-31 août 1991 ; Musée canadien des civilisations/Canadian Museum of Civilization, Hull (QC), Canada, 26 sept.-8 déc. 1991]. *
| | | 1989 | | Winnipeg Art Gallery, Winnipeg (Man.), Canada, 1989. *
The McMichael Canadian Art Collection, Kleinburg (Ont.), Canada, 1989.
| | | 1984 | | St. Michael's College, University of Toronto, Toronto (Ont.), Canada, 1984.
| | | 1981 | | Robert Houle: Recent Drawings, Pollock Gallery, Toronto (Ont.), Canada, 16 mai-4 juin 1981.
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| Group Exhibitions |
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| 2003 |
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Path Breakers: Eiteljorg Fellowship for Native American Fine Art, Eiteljorg Museum of American Indians and Western Art, Indianapolis, Ind., États-Unis, 8 nov. 2003-1er févr. 2004. *
The Political is Personal: A First Nation Perspective, Lt. Governor's Suite, Queen's Park, Toronto (Ont.), Canada, 3 avril-31 déc. 2003.
Transitions: Contemporary Indian and Inuit Art, Russian Museum of Ethnography, Saint-Pétersbourg, Russie, [nov.?] 2003-18 janv. 2004. *
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| 2002 | |
Reverence: Concepts of the Sacred in Contemporary Art, Art Gallery of Hamilton, Hamilton (Ont.), Canada, 20 juill.-2 sept. 2002.
What's Next in Social Change, Billboard Art Exhibition, Toronto (Ont.), Canada, 18 avril-12 mai 2002.
| | | 2001 | | Landmark: The Paintings of Robert Houle and John Abrams, University of Waterloo Art Gallery, Waterloo (Ont.), Canada, 25 oct.-22 nov. 2001 [itinéraire : Tom Thomson Memorial Gallery, Owen Sound (Ont.), Canada, 19 janv.-3 mars 2002 ; Robert McLaughlin Gallery, Oshawa (Ont.), Canada, 19 mai-30 juin 2002]. *
| | | 2000 | | Multiple Impressions: Native American Artists and the Print, Harwood Museum, University of New Mexico, Taos, Nouveau-Mexique, 2000.
Tout le temps : La Biennale de Montréal 2000 = Every Time: La Biennale de Montréal 2000, CIAC/Centre international d'art contemporain de Montréal, Palais du commerce, Montréal (QC), Canada, 28 sept.-29 oct. 2000. *
| | | 1999 | | Art in 2 Worlds: The Native American Fine Art Invitational 1983-1997, The Heard Museum, Phoenix, Ariz., États-Unis, 6 févr.-[?] 1999. *
| | | 1997 | | Ghostwriter #3: A View of Things, Mercer Union, Toronto (Ont.), Canada, 9 janv.-15 févr. 1997. — Dans le cadre de la série Ghostwriter. *
| | | 1996 | | Prairietheism: Internalizing the Prairie Landscape, Winnipeg Art Gallery, Winnipeg (Man.), Canada, 1996.
Real Fictions: Four Canadian Artists, Museum of Contemporary Art, Sydney, Australie, 1er sept.-1er déc. 1996. *
| | | 1995 | | Histoires déplacées = Displaced Histories, Musée canadien de la photographie contemporaine/Canadian Museum of Contemporary Photography, Ottawa (Ont.), Canada, 14 juin-10 sept. 1995. *
Notion of Conflict: A Selection of Contemporary Canadian Art = Hedendaagse Canadese Kunst, Een Keuze, Stedelijk Museum, Amsterdam, Pays-Bas, 11 mai-11 juin 1995. *
| | | 1994 | | On Classicism, National Gallery of Canada, Ottawa (Ont.), Canada, 1994.
| | | 1992 | | Rethinking History, Mercer Union, Toronto (Ont.), Canada, 12 mars-11 avril 1992. *
Travelling Theory: An Exhibition of Contemporary Canadian Art, Jordan National Gallery of Fine Arts, Amman, Jordanie, 9 avril-2 mai 1992 [itinéraire : McIntosh Gallery, University of Western Ontario, London (Ont.), Canada, 17 sept.-1er nov. 1992]. *
| | | 1989 | | Beyond History, Vancouver Art Gallery, Vancouver (C.-B.), Canada, 31 mai-17 juill. 1989. *
| | | 1986 | | Cross Cultural Views, The National Gallery of Canada, Ottawa (Ont.), Canada, nov. 1986-avril 1987.
| | | 1985 | | Challenges, De Meervaart, Amsterdam, Pays-Bas, 1985. *
| | | 1984 | | No Beads No Trinkets, Allied Arts of Seattle, Palais des Nations, Genève, Suisse, 1984.
| | | 1983 | | Contemporary Native American Art, Gardiner Art Gallery, Oklahoma State University, Stillwater, Okla., États-Unis, 1983. *
Innovations: New Expressions in Native American Painting, The Heard Museum, Phoenix, Ariz., États-Unis, 9 déc. 1983-31 mai 1984. *
| | | 1982 | | New Work by a New Generation, Norman Mackenzie Art Gallery, Regina (Sask.), Canada, 9 juill.-29 août 1982. *
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Bibliography
| Interviews with the Artist |
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| 1999 |
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Houle, Robert. — «Rendez-vous avec l'artiste = Meet the artist». — Art CyberMuse à profusion = Art CyberMuse unlimited [en ligne]. — Ottawa : Musée des beaux-arts du Canada/National Gallery of Canada, [1999]. — [Réf. du 9 mars 2004], accès : <http://cybermuse.gallery.ca/cybermuse /showcases/meet/artist_f.jsp?artistid=2533>. — En anglais
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| Other Recommended Sources |
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| 2003 |
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Eiteljorg Museum. — Path breakers : Eiteljorg fellowship for native American fine art. — Essay by Bonnie Devine. — Indianapolis : Eiteljorg Museum of American Indians and Western Art in association with the University of Washington Press, Seattle, 2003. — 112 p.
| | | 2001 | | Landmark : the paintings of Robert Houle and John Abrams. — [Textes : Stuart Reid, Carol Podedworny]. — Waterloo : University of Waterloo Art Gallery, 2001. — 32 p.
Bell, Michael. — Robert Houle's Palisade. — Ottawa : Carleton University Art Gallery, 2001. — 41 p.
| | | 2000 | | Gale, Peggy. — Tout le temps : La Biennale de Montréal 2000 = Every time : La Biennale de Montreal 2000. — Montréal : Centre international d'art contemporain de Montréal, [2000]. — 167 p.
Hampson, Sarah. — «Looking for Robert Houle». — The Globe and Mail. — (July 27, 2000). — P. R-3
| | | 1999 | | Native American art in the twentieth century : makers, meanings, histories. — Edited by W. Jackson Rushing III. — London ; New York : Routledge, 1999. — 214 p. — Robert Houle : p. 75, 77, 78, 86, 88-9, 100-1, 171
Robert Houle : sovereignty over subjectivity. — [Textes: Shirley Madill, Peggy Gale, W. Jackson Rushing III, Bonnie Devine]. — Winnipeg : Winnipeg Art Gallery, 1999. — 56 p.
| | | 1998 | | Ghostwriter. — Edited by Lorraine Johnson. — Toronto : Mercer Union, 1998. — 71 p.
| | | 1995 | | Douglas, Susan. — «Crossroads visualism : Robert Houle». — Parachute. — N° 80 (oct./nov./déc./Oct./Nov./Dec, 1995). — P. 42-46
| | | 1994 | |
Marks, Laura U. — «Robert Houle, Garnet Press Gallery». — Artforum. — Vol. 33, no. 3 (Nov. 1994). — P. 94
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| 1993 | |
Agnes Etherington Art Gallery. — Exhibitions, 1992-1993. — Edited by Steve Anderson. — Kingston : AEAC, 1993. — [?] p.
Bell, Michael. — Kanata Robert Houle's histories. — Ottawa : Carleton University Art Gallery, 1993. — 27 p.
| | | 1992 | | Collins, Curtis J. — Hochelaga : installation multi-média de Robert Houle = Hochelaga : a multi-media installation by Robert Houle. — Montréal : Galerie Articule, [1992?]. — [19] p.
Podedworny, Carol. — Rethinking history. — Toronto : Mercer Union, 1992. — [4] p. — En ligne [Réf. du 22 déc. 2003], accès : <http://collections.ic.gc.ca/mercer/317.html>
| | | 1990 | | Robert Houle : Indians from A to Z. — Essays by Jennifer Brown, Clara Hargittay, Shirley Madill and Gerald McMaster. — Winnipeg : Winnipeg Art Gallery, 1990. — 52 p.
| | | 1989 | | Beyond history : May 31 to July 17, 1989, Vancouver Art Gallery. — Vancouver : Vancouver Art Gallery, 1989. — 63 p.
The McMichael Canadian Art Collection. — Kleinberg, Ont. : McMichael Canadian Art Collection ; Toronto ; Montréal : McGraw-Hill Ryerson, 1989. — 175 p.
Kimmelman, Michael. — «Indian art vs artifact : problem of ambiguity». — New York Times. — (May 1, 1989). — P. C-11, 14
| | | 1986 | | Corbeil, Carole. — «Beyond 'cultural apartheid'». — The Globe and Mail. — (Apr. 19, 1986). — P. D-17
Halpern, Sylvie. — «Le peintre sans réserve». — L'Actualité. — Vol. 11, n° 7 (juill. 1986). — P. 56-62
| | | 1985 | | Scott, Jay. — «I lost it at the trading post : Indian art is dead; long live art by Indians». — Canadian Art. — Vol. 2, no. 4 (Winter 1985). — P. 33-39
| | | 1983 | | Heard Museum. — Innovations : new expressions in native American painting. — [Phoenix, Ariz. : The Museum], 1983. — [16] p.
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| 1982 | |
New work by a new generation. — Regina, Sask. : Norman Mackenzie Art Gallery, [1982]. — 87 p.
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