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Except contrary mention, the works belong to the artists
| Raphaëlle de Groot | |
L’Histoire illustrée, 2003-2004
Installation: 245 inkjet prints on paper mounted on fibreboard, 6 videotapes, 6 monitors, playdough, table, podium
3,34 x 5,23 x 6,9 m (variable dimensions)
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| Stan Douglas | |
Nu• tka•, 1996
Single-band video installation with quadriphonic sound
Loop running time: 6 minutes
Edition of 2, with one artist’s proof
4,6 x 10,4 x 8,8 m (variable dimensions)
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| Carlos Garaicoa | |
Somebody’s Architecture, 2002
8 black-and-white photographs, 8 architect’s drawings
Photographs: 30 x 40 cm approx. (each)
Architect’s drawings: 50 x 80 cm approx. (each)
Public Building as Greek Agora, 2002
3 black-and-white photographs, model (wood, cardboard, plexiglass and mixed media), text in vinyl
80 x 100 cm (2 photos)
120 x 180 cm (1 photo)
80 x 35 x 100 cm (model)
Courtesy Galleria Continua, San Gimignano, Italy
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| Cynthia Girard | |
Filles du roi / Filles de joie, 2002
Acrylic on canvas
217 x 184,5 cm
Collection Prêt d’œuvres d’art du Musée national des beaux-arts du Québec, Québec
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| Robert Houle | |
Kanata, 1992
Acrylic and Conté crayon on canvas
228,7 x 732 cm
Collection: National Gallery of Canada, Ottawa
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| Liz Magor | |
Civil War Portfolio, 1991
Series of 14 silver prints with text
61 x 69 cm (each)
Edition: 2/2
Courtesy Susan Hobbs Gallery, Toronto
Fur Trade, 1996
Series of 10 silver prints
40,6 x 50,8 cm (each)
Edition: 1/3
Courtesy Susan Hobbs Gallery, Toronto
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| Kent Monkman | |
Daniel Boone’s First View of the Kentucky Valley, 2001
Acrylic on canvas
20,3 x 25,4 cm
The Rape of Daniel Boone Junior, 2002
Acrylic on canvas
45,7 x 61 cm
Gisèle Gordon Collection, Toronto
The Fourth of March, 2004
Acrylic on canvas
182,9 cm x 274,3 cm
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Rubén Ortiz-Torres
(in collaboration with Jim Mendiola) | |
Fountain / Ozzy Visits the Alamo, 2001
Wax figure, human hair, copper tubing and electric pump
183 x 63,5 x 63,5 cm
Courtesy Galería OMR, Mexico City
Spectacle / Spaztek Aztec Visits the Alamo, 2001
3-D DVD with surround sound
4,6 x 4,5 x 8,3 cm (variable dimensions)
Tejano Dream / David Copperfield Visits the Alamo, 2001
Lenticular photograph, light-box
80 x 115,6 x 12,7 cm
Courtesy Galería OMR, Mexico City
The A-Files, 2001
Photocopied press clippings
37,5 x 24,1 x 5,1 cm
Courtesy Galería OMR, Mexico City
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| Manuel Pinã | |
On Monuments, 2000
5 colour prints (from a series of 11)
101,6 x 152,4 cm (each)
Edition of 7
Courtesy Marvelli Gallery, New York
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| Monique Régimbald-Zeiber | |
Les Dessous de l’histoire : Marguerite B., les écrits, 2002-2003
Oil on canvas (426 elements)
25,4 x 20,3 cm (each)
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| Rosângela Rennó | |
Vera Cruz, 2000 / 2004
Video installation: 4 projectors, 3 videotapes
(French, Portuguese and English versions)
44 min
4,6 x 7,5 x 10,4 m (variable dimensions)
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| José Alejandro Restrepo |
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El cocodrilo de Humboldt no es el cocodrilo de Hegel, 1994
Video installation: 2 monitors, 2 videotapes, wall texts
2,1 x 7,9 m (variable dimensions)
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| Cristián Silva | |
Tristemente celebre, 1999
Painted wood and cardboard, miniature lightbulbs
119,4 x 130,2 x 100,4 cm (including the base)
Courtesy The Project, New York
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| Regina Silveira | |
The Saint’s Paradox, 1994 / 2004
Installation: cutout vinyl, statuette*, base
96 m2 (variable dimensions)
Collection: Museu de Arte Contemporânea da Universidade de São Paulo, Brazil
*Unknown artist (Guatemala)
Santiago Apostol, about 1970
32,8 x 10,3 x 28,5 cm
Painted wood
Collection: El Museo del Barrio, New York
Gift of Marcel Agüeros
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| Adriana Varejão | |
Ruina de charque – Grumari, 2001
Oil on wood and polyurethane
226 x 30 x 10 cm
Collection: Nassau County Museum of Art, N.Y.
Ruina de charque – Quina, 2003
Oil on wood and polyurethane
222 x 108 x 92 cm
Courtesy the artist and Lehmann Maupin Gallery, New York
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| Sergio Vega | |
Structuralist Study of Poverty (Onion), 2002
Mixed media
35,6 x 17,8 x 17,8 cm
Structuralist Study of Poverty (Potato), 2002
Mixed media
48,3 x 17,8 x 17,8 cm
Structuralist Study of Poverty (Garlic), 2002
Mixed media
20,3 x 17,8 x 17,8 cm
Utopian Specimen: Banana Building, 2002
Mixed media
139, 7 x 111,8 x 111,8 cm
El Primer Día, 2003
1 digital inkjet print
4 inkjet prints: text, satellite map of South America, North-South by Joaquin Torres-Garcia, Continens Paradisi by Pedro Quiroz
35,6 x 27,9 cm (each)
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| Kara Walker | |
Darkytown Rebellion, 2001
Projection, cutout paper and adhesive tape on wall
4,27 x 11,43 m
Collection Musée d’Art Moderne Grand-Duc Jean, Luxembourg
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