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Biobibliographie sélective
* une publication accompagnait l'exposition.
° l'œuvre San Sebastian était présentée lors de l'exposition.
| Expositions particulières |
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| 2005 | | Fiona Tan, Baltic Art Center, Visby, Suède. °
Fiona Tan: Countenance, Modern Art Oxford, Oxford. *
| | | 2004 | | Fiona Tan: Correction, Museum of Contemporary Art, Chicago, Ill. [itinéraire : New Museum of Contemporary Art, New York, N.Y.; Hammer Museum, Los Angeles, Calif.]. *
Fiona Tan, Iaspis Galleriet, Stockholm.
Fiona Tan, Wako Works of Art, Tokyo.
| | | 2003 | | Fiona Tan, Frith Street Gallery, Londres.
| | | 2002 | | Fiona Tan : Akte 1, Villa Arson, Nice [itinéraire : De Pont Foundation for contemporary Art, Tilburg; Daadgalerie, Berlin; Akademie der Künste, Berlin]. * °
| | | 2001 | | Fiona Tan, Galerie Michel Rein, Paris.
Fiona Tan: Film and Video Works, Wako Works of Art, Tokyo.
Fiona Tan: Matrix 144, Wadsworth Atheneum Museum of Art, Hartford, Conn.
| | | 2000 | | Scenario, Kunstverein Hamburg, Hambourg. *
Carwreck Cinema, Aussendienst Hamburg, Hambourg. *
Lift, Galerie Paul Andriesse, Amsterdam.
| | | 1999 | | Roll I & II, De Pont Foundation for contemporary Art, Tilburg.
Elsewhere is a Negative Mirror, De Begane Grond, Utrecht.
Cradle, Galerie Paul Andriesse, Amsterdam.
Linneaus' Flower Clock, het Domein, Sittard.
| | | 1998 | | J.C. Van Lanschot Prijs, S.M.A.K. Stedelijk Museum voor Actuele Kunst, Gand. *
| | | 1997 | | Open Studio, Rijksakademie van Beeldende Kunst, Amsterdam.
| | | 1995 | | Inside Out, Montevideo/Time Based Art, Amsterdam.
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| Expositions collectives |
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| 2005 | | Ocean 1212-W, Raffaella Cortese Milan. — Avec Roni Horn et Maria Marshall.
Sreen Tests, Nederlands Fotomuseum, Rotterdam. — Dans le cadre du International Film Festival Rotterdam.
| | | 2004 | | Time Zones: Recent Film and Video, Tate Modern, Londres. * °
Artes Mundi, National Museum and Gallery, Cardiff. *
Witness, Museum of Contemporary Art, Sydney. *
| | | 2003 | | 8th International Istanbul Biennial, Istanbul. * °
Home and Away: Crossing Cultures on the Pacific Rim, Vancouver Art Gallery, Vancouver (C.-B.). * °
Link, Stedelijk Museum, Amsterdam. *
Rijksakademie Show, Victoria Miro Gallery, Londres.
Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York, N.Y. *
Synopsis III-Testimonies: Between Fiction and Reality, Musée national d'art contemporain, Athènes. *
Shine: Wish Dreams and Visions of the Future in Contemporary Visual Art, Museum Boijmans Van Beuningen, Rotterdam. *
Warum!, Martin Gropius Bau, Berlin. *
| | | 2002 | | Cine Casi Cine, Museo Reina Sof’a, Madrid.
Documenta 11, Cassel. *
Tele-journeys, MIT List Visual Arts Center, Cambridge, Mass.
Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures, Independent Curators International, New York [itinéraire : AXA Gallery, New York, N.Y.; Scottsdale Museum of Contemporary Art, Scottsdale, Ariz.; Gemeentemuseum Helmond, Pays-Bas; International Museum of Art and Science, McAllen Tex.; Chicago Cultural Center, Chicago, Ill.; Ulrich Museum of Art, Wichita, Kans.; Bedford Gallery — Regional Center for the Arts, Walnut Creek, Calif.; Boise Art Museum, Boise, Idaho]. *
| | | 2001 | | Endtroducing, Villa Arson, Nice. — Dans le cadre du cycle d'expositions Action, on tourne. *
Berlin Biennale 2, Berlin. *
IXL Biennale di Venezia, Venise. *
Yokohama 2001, International Triennial of Contemporary Art, Yokohama. * °
Futureland, Städtisches Museum Abteiberg, Mönchengladbach [itinéraire : Museum van Bommel van Dam, Venlo]. *
| | | 2000 | | Exploding Cinema, Museum Boijmans van Beuningen, Rotterdam. — Dans le cadre du 29th International Film Festival Rotterdam. *
Still/Moving, Museum of Modern Art Kyoto, Kyoto. *
<hers> : Video als weibliches Terrain = Video as a Female Terrain, Landesmuseum Joanneum, Graz. *
Shanghai Biennale 2000, Shanghai Art Museum, Shanghai. *
| | | 1999 | | Go Away, Royal College of Art, Londres. *
Life Cycles, Galerie fur Zeitgenössische Kunst, Leipzig. *
International Biennale of Photography, Centro de la Imagen, Mexico.
8e Biennale de l'image en mouvement, Centre pour l'Image Contemporaine, Genève. *
Stimuli, Witte de With, Rotterdam. *
| | | 1998 | | Unlimited.nl, De Appel, Amsterdam. *
Kunst nu : Rineke Dijkstra, Tracey Moffatt, Fiona Tan, S.M.A.K., Gand. *
Biennale de l'image Paris 98, Centre national de la photographie, Paris. *
World Wide Video Festival, Stedelijk Museum Amsterdam. *
Power Up, Museum voor Moderne Kunst Arnhem, Arnhem. *
| | | 1997 | | The Second — Time Based Art from the Netherlands, Stedelijk Museum, Amsterdam [itinéraire : Fine Arts Museum, Taipei; ICC, Tokyo; Museo del chopo, Mexico].*
2nd Johannesburg Biennale, Johannesburg. *
Cities on the Move, Wiener Secession, Vienne [itinéraire : PS1 Contemporary Art, New York, N.Y.; CAPC Musee d'art contemporain de Bordeaux, Bordeaux; Hayward Gallery, Londres; Louisiana Museum for Moderne Kunst, Humlebæk; Kiasma Museum of Contemporary Art, Helsinki]. *
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| Repères bibliographiques sur l'œuvre Saint Sebastian |
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| 2005 | | De Wachter, Ellen Mara. — «Time Zones». — Contemporary. — Issue 70 (2005). — Sous : «Reviews». — P. 58-59
Gregos, Katerina. — «Moving images at the edge of the real». — Contemporary. — Issue 71 (2005). — P. 18-[21]
| | | 2004 | | Herbstreuth, Peter. — «Fiona Tan : Akademie der Künste». — Flash Art. — Vol. 37, no. 235 (Mar./Apr. 2004). — Sous : «Reviews». — P. 112
Morgan, Jessica; Muir, Gregor; Polkinhorn, Maeve. — «Fiona Tan : San Sebastian 2001». — Time zones : recent film and video. — London : Tate Modern, [2004]. — Suppl. — P. [10]-[11] et p. couv.
Muir, Gregor. — «Chronochromie». — Time zones : recent film and video. — London : Tate Modern, 2004. — P. 36-50, 101-[103] et p. couv.
Searle, Adrian. — «A very brief history of time». — The Guardian. — (Oct. 7, 2004). — P. 17
Sperlinger, Mike. — «Time zones». — Art Monthly. — No. 282 (Dec. 2004/Jan. 2005). — P. 38-39
Wahjudi, Claudia. — «Fiona Tan — 'Akte 1'». — Kunstforum International. — En allemand. — Nr. 169 (März/Apr. 2004). — P. 228-229
| | | 2003 | | Bronwasser, Sacha. — «Fiona Tan : do not try to draw the bow with your arms. Draw it with your heart.». — Home and away. — Vancouver : Vancouver Art Gallery, 2003. — P. [28]-36 et p. couv.
Carel, Edwin. — «Fiona Tan». — 8. Uluslararasi Istanbul bienali = 8th International Istanbul Biennial. — Istanbul : Istanbul kültur ve sanat vakfi, 2003. — P. 218-219
Heingartner, Douglas. — «Fiona Tan». — Frieze. — Issue 75 (May 2003). — Sous : «Reviews». — P. 99
| | | 2002 | | Belley, Anne-Marie. — «International Triennial of Contemporary Art Yokohama 2001». — Para-Para. — N¡ 006 (2002). — Suppl. de Parachute n¡ 106. — P. 2 et p. couv.
Carrayrou, Stéphane. — «Fiona Tan : des images qui respirent = Breathing images». — Art Press. — N¡ 280 (juin 2002). — P. 40-44
Hoek, Els. — «Fiona Tan : preliminary sketch for an eclectic atlas». — Fiona Tan : Akte 1. — Tilburg : De Pont Foundation for contemporary Art, 2002. — P. 17-31
Phillips, Christopher. — «Crosscurrents in Yokohama». — Art in America. — Vol. 90, no. 1 (Jan. 2002). — P. 84-91
Tan, Fiona. — «Saint Sebastian (work in progress)». — Fiona Tan : Akte 1. — Tilburg : De Pont Foundation for contemporary Art, 2002. — Publié aussi en 2001 dans Gagarin de kunstenaars in hun eigen woorden, vol. 2, no. 2. — P. 49-61
| | | 2001 | | Ermen, Reinhard. — «International Triennale of Contemporary Art 2001, Yokohama : "Mega-wave : towards a new synthesis"». — Kunstforum International. — Nr. 157 (Nov./Dez. 2001). — En allemand. — P. 413-417
Gioni, Massimiliano. — «Speaking in tongues». — Flash Art. — Vol. 34, no. 221 (Nov./Dec. 2001). — Sous : «Features». — P. [74]-77 et p. couv.
Gioni, Massimiliano. — «Yokohama mega wave : towards a new synthesis». — Flash Art. — Vol. 34, no. 220 (Oct. 2001). — Sous : «News». — P. 49, 57
S. [Shiner], E. [Eric C.] — «Fiona Tan's "San Sebastian" : archers of the new age». — Yokohama 2001 : International Triennale of Contemporary Art. — Yokohama : Organizing Committee for Yokohama Triennale, 2001. — Sous : «Artists' pages». — P. 324-325
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